Black Life Texas
Get Ready for Black Fiesta
Blues music, praise dances, a masquerade ball, rib cook-offs and some Big Easy fun are just some activities that will pack April 20 to April 30 in something we call “Black Fiesta.”
“Black Fiesta,” coined by the staff of Black Life Texas, are those official Fiesta events that bring out the Black community to party, mingle and enjoy food. Every year, San Antonio hosts Fiesta, which attracts over 2.5 million visitors and brings the city over $340 million in local sales. It’s estimated there are between 105 and 120 events between the 10 days of Fiesta.
Starting on April 21, the San Antonio Zulu Association will kick off “A Taste of New Orleans” at 5 pm through Sunday, April 23 from noon to 10 pm at the Sunken Garden grounds. The 36th annual event promises to mix a little N’awlins culture into South Texas. Enjoy authentic New Orleans-style food (gumbos, shrimp creole, etouffee, fresh crawfish, boudin, alligator, and beignets) and authentic New Orleans-style music (zydeco, cajun, jazz, brass bands, blues).
The featured headliner for “Taste” is Big Freedia – The Queen of New Orleans Bounce music. She will take the stage at 9 pm at the Sunken Garden Theater. Big Freedia is a nationally recognized hip-hop artist, TV personality, and cultural influencer. She made headline news for her feature on Beyoncé’s Grammy-nominated single, “Break My Soul,” released last summer. Tickets to the “Taste of New Orleans” are $17 each. Kids 10 and under are free. Tickets can be purchased online at (SAZA.org) or any HEB store.
The Alamo City Ques are back on April 22 with the 2023 Psi Alpha Foundation Masquerade Party from 8 pm to midnight at the Crown Ridge Banquet Hall, 6909 Camp Bullis Rd. Tickets are $50 at the door or visit (PSIAlphaChapter.com) to learn more. Proceeds from the event will benefit scholarships for students.
The St. Philip’s College CultureFest and Rib Cook-Off is an official Fiesta San Antonio event held on April 27 from 10 am to 4 pm on the St. Philip’s College MLK campus. The high-energy and kid-friendly festival features a rib cook-off, live music, a car show, food and non-food vendors, and several grill raffles – all in one location. Admission is free, and proceeds from CultureFest help fund student scholarships.
On April 28, the San Antonio African American Community Archive and Museum, or SAAACAM will feature its premiere fundraising event for Fiesta-goers at The Espee Pavilion at 1174 E. Commerce from 5 pm to 11 pm. SAAACAM’s Fiesta Family Blues Festival honors Ellis Griffin, a northeast San Antonio Black landowner who played his violin and sang the blues for his family and neighbors. This is the first year the event will be an “official” Fiesta event.
There were over 200 songs recorded by Black Blues artists in San Antonio before the arrival of Robert Johnson. This year’s festival sees the return of The Keeshea Pratt Band and San Antonio local Eddie and the Allniters. New to the stage is the Musician with a Message, SaulPaul, Step Rideau, and the Zydeco Outlaws, and a special appearance by Southern Soul artist Latimore. The event is pet friendly. For more information, visit (SAAACAM.org). Ticket prices are $45 for general admission and $150 for VIP.
On April 30, the Alpha Tau Omega Chapter of Alpha Kappa Alpha Sorority, Inc. celebrates its 20th anniversary of the “Praise Dance” event with the San Antonio community at the Carver Community Cultural Center at 226 N. Hackberry at 4 pm. The event is free and open to the public.
If you are still looking for more Fiesta fun, make sure to bring your money, colorful shirts and attire, and Fiesta medals to Fiesta’s iconic events, such as Night in Old San Antonio and the many parades: Battle of Flowers, Texas Cavaliers River Parade, and Fiesta Flambeau.
And just in case you are wondering why San Antonio parties every year in April, it’s because the Battle of San Jacinto was fought on April 21, 1836. Congressman James Luther Slayden’s wife, Mrs. James L. Slayden, was inspired by the flower parades of Spain and suggested that San Antonio stage its flower parade on April 21 in memory of the fallen “heroes” of the Alamo and the Battle of San Jacinto.
The idea gained support, and the Battle of Flowers Association was born. The ladies first paraded their flower-covered carriages around the Shrine of Texas Liberty in April 1891. Thus began one of Fiesta’s most famous parades, the Battle of Flowers Parade, now the largest parade in the country to be managed entirely by women. The Battle of Flowers Parade started Fiesta San Antonio in 1891 and is the oldest event of Fiesta San Antonio, celebrating more than 130 years.
However, to rain on your parade, we can’t just regurgitate this history without revealing that both those battles were tied to racist ideas and slavery. But that’s for another story. To learn more about Fiesta events, visit (FiestaSanAntonio.org).
Black Life Texas
Black Musical Legacy: Black Music Month
Black Music Month, created in 1979, honors the history and rich American Black music traditions that gave birth to different music styles, including every type of music you can think of. Blues, country, classical, jazz, Afro, Latin, R&B, gospel, rock, pop, Reggae, and so on. Music is integral in our lives! Without music, you would not know how to feel when you watch a movie scene. Music helps you to get your mood right before heading to work, and music will keep you moving a little faster in the gym.
Today, as our Black race is being besieged with assaults on the many contributions the African American community has made to the country’s history (outside of music), one thing is for sure, they can NEVER take our music away. Everyone knows “the flavor” we put on things. George Clinton of the Parliament Funkadelic expressed that flavor well with his P-Funk mythology that weaved into his music and touring bands. Along with the Civil Rights Movement, Black performers in the 1960s and 1970s were laying the foundation of music genius for generations to come.
It has been encouraging to see artists like Anita Baker, Prince and Michael Jackson win the rights to own their music. The record companies often attempted to out-slick Black artists from owning their music. When Warner Bros. told Prince that he didn’t own his God-given name, Prince wrote SLAVE on his face in defiance.
Black Music Month also begins on a somber note. Music fans worldwide are saddened by the transition of Anna Mae Bullock, known by the stage name Tina Turner. Tina died on May 24, 2023. The frenetic dancer had a raw and raspy voice, which captured the hearts of her fans. Although an excellent performer, the love of her fans became even more apparent due to her withstanding the abuse at the hand of her former husband, Ike Turner.
Tina, the lead singer with the Ike and Tina Turner Review, had their biggest hit with Proud Mary, which won a Grammy Award in 1971. But Tina went beyond her accomplishments with Ike when she started her solo career. Her album Private Dancer became an incredible commercial success. At the 1985 Grammy Awards, “What’s Love Got to Do With It” won three awards for Record of the Year, Song of the Year, Best Female Pop Vocal Performance, and “Better Be Good To Me” won for Best Female Rock Vocal Performance.
Rap music is the Black community’s newest music contribution and it too has made its way into the mainstream with worldwide acceptance. To honor rap artists accomplishments, the Grammy Awards celebrated 50 years of Rap Music. New technology has also drastically changed the music business and has both hurt and helped artists. Many are now able to achieve vast amounts of wealth faster and often cut out the traditional record company. Ushered in by Apple Music and streaming services, along with social media, the public now has easier access to artists and their music.
Look at the accomplishments of the individuals who started in music and morphed into mainstream businesses. You have BEATS by Dr. Dre, TIDAL by Jay-Z, and Rhianna has done very well with her Fenty line. There are many more who have used the music to launch businesses, such as Ice Cube, Puffy, 50 Cent, Russel Simmons, and many others who all became household names.
This year’s Rock & Roll Hall of Fame which will be aired on Nov. 3, 2023 is also more inclusive than ever before. The 1960’s soulful group, The Spinners, was included in the performer category, along with Missy Elliott, who became the first female hip-hop artist and has been called “a true pathbreaker in a male-dominated genre.” The Musical Influence Award is bestowed on DJ Kool Herc, who is credited with contributing to the development of hip hop music in the Bronx, New York City, in the 1970s. The Musical Excellence Award was given to Chaka Khan, who is described as “one of the mightiest and most influential voices in music,” who paved the way for women like Mary J. Blige, Erykah Badu and Janelle Monáe.
And the “Soul Train’s” Don Cornelius will posthumously be awarded the Ahmet Ertegun Award at the Rock & Roll Hall of Fame, which is given to a person who had a major influence on the creative development and growth of rock & roll music.
To all Black music artists and their supporting cast and crew, we honor you! Not just the performers, but anyone who plays a role in allowing the community at large to hear this incredible music, we applaud you also!
The staff of Black Life Texas urges readers to do something this month. Attend a performance by a Black artist, buy or download your favorite song. Just do something!
Black Life Texas
Day of Memorials in Washington, D.C.
By Don Mathis
Austin–Bergstrom International Airport was alive April 21 with an assortment of 40 military veterans gathered for a flight to Washington, D.C. Austin Honor Flight 81 was assigned to tour our nation’s war memorials the next day.
Old Korea veterans from the Army and Air Force rolled about in wheelchairs. Wise-cracking Cold War Marines mingled with spry veterans from the Vietnam era. I was one of the last Americans to be drafted in May 1971, so was eligible to attend.
After the TSA checkpoint, it was more of the old Army axiom, “Hurry up and wait.” Then an Honor Guard troop arrived and the Austin Police Department Pipe and Drum Corps got in formation.
Aides with wheelchairs led our company of veterans down the concourse to the beat of drums, whistles of flutes, and the haunting sounds of bagpipes. Civilian travelers clapped and cheered. Mothers wiped tears from their eyes and young men saluted. A hundred passengers stopped on their way to their gates and filmed our parade.
Speeches and a blessing followed an acapella rendition of the Star-Spangled Banner. Nyle Maxwell owns several car dealerships in Texas and his family sponsored this Honor Flight. Transportation, lodging, meals, and personal guides were given to those who served. *
The ramp to the aircraft was festooned with red, white, and blue. A water cannon saluted our takeoff. The reception at Reagan National Airport was even more grand. A thousand tourists and businessmen applauded our arrival. This is the welcome that servicemen from Korea and Vietnam never received when they returned home.
The band of veterans, uniformed in matching shirts and caps with service insignia, boarded the bus for a short trip to a hotel in Alexandria, Virginia, to prepare for a banquet. Guardians and guests sat by the side of dozens of veterans as they were feted for their service.
A poem was offered:
Children become soldiers; there are a thousand reasons why.
Some will die in combat, others will survive.
I won’t forget their sacrifices, their families who had to wait,
and their careers they put on hold. So, if it’s not too late,
I want to thank the veteran. What he had to do, he did.
Soldiers grow old too fast. It seems yesterday he was just a kid.
We can flower and flag the cemetery. We can shed a little tear.
We can offer our thanks to the living veterans who are still here.
Speeches and blessings were rendered. But one tribute was unique – The Missing Man Table:
The table is round, to show everlasting concern for our missing men. The white linen symbolizes the purity of their motives when answering the call to serve. A single rose reminds us of the love of their friends and family. A ribbon symbolizes our continued determination to account for our missing. A slice of lemon reminds us of their bitter fate; captured and missing in a foreign land. A pinch of salt symbolizes the tears of our missing and their families who long for answers after decades of uncertainty. The lighted candle reflects our hope for their return, alive or dead. The goblet is inverted, symbolizing their inability to share a toast. The chair is empty, the seat that remains unclaimed at the table.
The next day, a cigar-chomping character, dressed up like a five-star general, greeted the veterans at the WWII Memorial. Inside the columns, an Honor Guard composed of service men and women from the five branches of military showed respect for the symbols of our country.
The Star-Spangled Banner was sung by one of the Honor Flight guardians. It was impeccable – until she stumbled. Truth be told, I thought it was a recording until her miss; I thanked her for keeping it real. Some funerals at the National Cemetery in San Antonio feature a recording of “Taps,” played by an electronic bugle. The rendition of “Taps” at the World War II Memorial was real.
As if on cue, the fountains at the Rainbow Pool sprang to life amid our salute to the Greatest Generation. During WWII, my dad was a sailor in the Pacific; my step-father was a GI in Germany. I carried a dozen American banners in my backpack – and I left a flag for my fathers.
Each veteran was assigned a guardian to explain the sites and keep us punctual for the next tour bus departure. Our itinerary was tight, but I convinced my guardian to go AWOL with me to see some war memorials on our own.
The names of the men and women from the District of Columbia who gave their lives in the First World War are inscribed in an open-air Doric structure near the Reflecting Pool. My guardian’s grandfather served in the Great War for Civilization. I left a flag for his service.
One summer morning 60 years ago, my grandmother rustled me from sleep. “Son, wake up,” she said. “We’re at war.” Instantly, all the images of the war movies I was raised on flashed through my head. So, I left a flag for those early causalities at the Vietnam Veterans Memorial.
A nearby statue depicts three American servicemen and the things they carried. An empty wheelchair sat next to the sculpture the day of our visit – a reminder that some veterans came home in a wheelchair; some didn’t come home at all.
One of my Honor Flight friends recalled his companion who died in Vietnam – and made a rubbing of his name. We looked at a cell phone image of James Wells and gave him a silent salute.
Down the hill from the United States Institute of Peace, a new memorial is going up. There was a groundbreaking on Constitution Avenue last year for the Desert Shield and Desert Storm Memorial. Organizers hope to have a dedication next year. And across 23rd Street, the Global War on Terrorism Memorial Foundation is planning an edifice to remember those who have served in that struggle.
2023 is the 70th anniversary of the end of the Korean War. In April, D.C.’s streets were festooned with the flag of South Korea to welcome President Yoon of the Republic of Korea. He and President Biden left a wreath at the Korean War Veterans Memorial a few days after my visit.
1953 is the first memory I have of my dad when he returned to his two-year-old son after the war in Korea. I left another flag for my father.
Arlington National Cemetery is a place of solemn beauty, with headstone after headstone in a row. It is a peaceful place befitting those who have seen the horrors of war. The sound of a flag ruffling in the breeze causes the heart to beat a little faster.
The guard at the Tomb of the Unknown Soldier scuffs his shoe to acknowledge the audience. The Changing of the Guard is a moving ceremony. The presentation of a wreath from Austin Honor Flight 81 was equally overwhelming.
Although the Potomac River is at the bottom of the hill, a ship’s mast rises above the horizon. The USS Maine Memorial overlooks the graves of 230 service members who died when the battleship exploded off the coast of Havana in 1898. The sinking of this vessel was the impetus for the Spanish-American War. But it was that war that joined America again to be United States.
A riff between North and South had existed since the Civil War. And it was the victories of Admiral Dewey’s Navy and Teddy Roosevelt’s Rough Riders that unified the nation. The Arlington Memorial Bridge connects the Lincoln Memorial on the north side of the Potomac River with the Robert E. Lee Memorial in the heart of the National Cemetery.
This country is experiencing a division like nothing since the Vietnam War. We need that unity once again.
While at Arlington, I left a flag for an Army major and a Navy captain. The service I receive at the Audie L. Murphy Memorial Veterans’ Hospital in San Antonio merited a memorial for its namesake. And the father of my best friend is buried nearby; so I left a Salute to Captain Arellano.
The Pulitzer Prize-winning photograph of the flag rising over Iwo Jima was the model for the US Marine Corps War Memorial. The base of the monument lists the names and dates of every principal Marine Corps engagement since their founding in 1775. The list of wars and battles is long – more than 40 engagements – and there is plenty of room for future wars.
The guide brought to our attention an optical illusion. The flag at the Marine Corps Memorial seems to rise as you drive around it. There is no such thing as an ex-Marine. I left a flag for those who served.
The Air Force Memorial honors the service and heritage of the men and women of military aviation. It’s located on federal property adjacent to a new section of Arlington National Cemetery. Three memorial spires appear to be soaring; its array of stainless-steel arcs against the sky evokes the image of contrails of Air Force jets.
My service in the Air Force Reserve brought me to Washington, D.C. several times in the 1970s. I left a flag for my mother’s brothers. Staff Sargent Hollis Walker and Lt. Col. Dick Walker both served in the Air Force in WWII and Korea. Salute to my uncles!
The Air Force Memorial overlooks the Pentagon. A 9/11 Memorial there commemorates the family members and friends who died in the 2001 terrorist attack. From our vantage point on the river levee, we could see the different colored stone used to repair the damage from American Airlines Flight 77. A nation is held together by its history, by a collective understanding of what has come before us, and what it has meant. This is how we are united together.
A short stop for sailors only was planned for the United States Navy Memorial. The fountain there is filled annually with waters from the seven seas. Again, my guardian helped me go AWOL to leave a flag for my father’s service in the Pacific during WWII.
Wars are fought for a variety of reasons. It may pitch hunter-gatherers against farmers or it may be the agrarian vs. the industrial age. Wars may be fought for land or liberty, resources or racism, ethics or to end ethnic violence.
But if you ask the combatant why he’s fighting, he may tell you it’s for his fellow man. On Memorial Day, we remember those who have fought and fallen. We can flower and flag the cemetery or we can give a silent salute. But we remember. And in Washington, D.C., there are many memorials to aid our memory.
*Honor Flight is a national organization that transports American veterans to Washington, D.C., to celebrate them for their service and sacrifices. If you know of a veteran from 1975 or earlier, ask them to consider looking into the Honor Flight Network – Honoring American Veterans.
Black Life Texas
The Truth about Jordan Neely
By Caleb Alexander
America killed Jordan Neely. There, I said the quiet part out loud. And not only is America responsible for Jordan Neely’s death, but so is Ted Cruz, Josh Hawley, Rand Paul, Ron Desantis, Gregg Abbott, and everyone else who has led the assault on Critical Race Theory or tried to suppress the truth about America’s ugly past. America has never dealt with its ugly racist history; it has instead chosen to go the way of the ostrich and stick its head in the sand. History tells us how American plantation owners would take the drums away from their slaves and bury them to keep the slaves from communicating from plantation to plantation. The drums were a means of communication, a way to keep traditions and cultural connections alive. America has chosen to bury its own drums. It wants to bury its connection to its historical and cultural ties to the abhorrently brutal practice of race-based chattel slavery.
Jordan Neely died because of the color of his skin. After Emancipation, to be clothed in Black skin not only had no value to the white power structure, it became a symbol of sin. Sin for losing a war they based their entire being on, a war about whiteness, what it was, what it meant, and what losing meant for their place in the world and society. Black skin served as a reminder of the inhumane of their humanness. The idea was that they were no better and that they would have to live in a world where they would have to survive and compete on merit and not some fallacy of a God-ordained race-based hierarchy.
Jordan Neely died because a mediocre white power structure can’t let go. The subjugation and policing of Blackness is embedded in their genetic code. Social media tells them who they are, what they should have, and where they should be in life, yet they are not there. They want to return to a bygone era where whiteness gave them access to women, to status, to privilege not earned. Whiteness made them supervisors; they were the unskilled and unqualified brutes overseeing the labor of the skilled. And now Jordan is dead. And so is Ahmaud Arbery.
We live in a country where the criminalization of Black skin means to simply exist in a public space is a death sentence. Black skin means that you cannot be a 12-year-old child playing with a water gun in a public park, you cannot wear a jogging hoody and go the local store and buy a pack of Skittles, you cannot bird watch in Central Park, you can’t be a child doing a scientific study on trees, or go jogging in Georgia, play your music at a gas station in Florida. You just can’t. We are born with a death sentence covering us, a birth cloth that white folks see as a hunting license.
Jordan Neely was the perfect example of intersectionality at its worst. He lived in a space where he didn’t exist in society because of his mental illness, but due to his Black skin, he loomed larger than life. In the words of Hillary Clinton, he was a super-predator. To exist alternately at the nexus of the forgotten and the dangerous would cause any human being to cry out, “I’m hungry, and I’m tired of living!” To be Black in America is to be perpetually exhausted. To have your mother murdered, hacked to pieces, stuffed in a suitcase, and then discarded on the side of the highway would traumatize anyone. New York failed Jordan. The people around him failed him. Our mental health system failed him. And America’s legacy finished him off.
The truth about Jordan Neely is that he should be alive today. He should be alive and in a hospital receiving treatment. The truth is that Jordan Neely’s mother should be alive today because society also failed her. America’s trauma on the Black family, how we’re viewed and treated should all be on trial today. The reality is the tragedy of Jordan Neely happened in 1619. Until America reconciles with its racial past, the tragedy of Jordan Neely will continue to be perpetuated for generations.
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