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Get Ready to Fatten’ Up at Mardi Gras

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Did you know that Mardi Gras, also known as Fat Tuesday, is a state holiday in some places?
Fat Tuesday is an official state holiday in Alabama (Mobile, Ala. is the birthplace of the first Mardi Gras parade), Florida, and parts of Louisiana. Although it’s not a state holiday in Texas, Galveston is home to one of the biggest celebrations in the country! And yes, the San Antonio Zulu Association is bringing you some New Orleans-style jazz and food at its annual Fat Tuesday, Mardi Gras Party, on Feb. 21, with gates opening at 4 pm. Tickets are just $10, and funds raise help to support its scholarships.

The San Antonio Zulu Association (SAZA) was organized in 1976 as a social, civic, and nonprofit and, in 1982, joined the San Antonio Fiesta Commission as a participating member organization. SAZA began “Fiesta West” at Rosedale Park in 1983, and the event eventually became – A Taste of New Orleans.
SAZA’s Fat Tuesday
, sponsored by Bud Light, will be held at VFW Post #9186 at 650 E. White (VFW Blvd) in San Antonio. To learn more about the event, you can find them on Facebook, Twitter, or Instagram (@SAZAORG).

Why do we celebrate Mardi Gras? For many, it’s that “last hurrah” of feasting on favorite foods and drinks before Ash Wednesday, which marks the beginning of Lent, or 40 days of fasting before Easter.

Here’s some more Mardi Gras or Fat Tuesday history from MardiGrasNewOrleans.org to share with friends and family.

When was the first Mardi Gras?
The first Mardi Gras parade was held in New Orleans on Feb. 24, 1857, by the Krewe of Comus. They began the tradition of presenting a parade with floats and following it with a ball for the krewe and their guests.

Mardi Gras marks the end of the carnival season.
The carnival season always begins on Jan. 6, which is King’s Day (Feast of the Epiphany). The date of Mardi Gras changes yearly because it’s connected to Easter, which can fall on any Sunday between March 23 and April 25. Mardi Gras day always takes place 47 days before Easter.

What is Twelfth Night?
Twelfth Night (aka Twelfth Night, the Feast of the Epiphany, the Epiphany Eve, and Three Kings’ Day) is celebrated on January 6th. January 6th is considered the beginning of king cake season or three kings’ cake. In the U.S., the cake is purple, green, and gold, with a trinket baby Jesus inside. Whoever gets baby Jesus is said to have good luck all year.

While the date of Mardi Gras (Fat Tuesday) changes, Twelfth Night does not. Different traditions mark the date of Twelfth Night as either January 5 or January 6 (it depends on whether they start counting the 12 days on Dec. 25 or 26).

Is there a theme?
There is no official Mardi Gras theme since no organization is in charge of Mardi Gras. Each parade krewe (any group or organization of friends who would like to host a Mardi Gras event) decides on its theme each year, which is often kept secret until the parade. Their costumes, floats, some of their throws, and their “official” Mardi Gras poster (if they have one) reflect this theme. For example, after 9/11, patriotic themes were popular.
Most of the krewes are named after figures from Greek, Roman, and Egyptian mythology, but some are named after the neighborhood where they parade.

Why are masks worn?
By law, float riders must always have a mask on. On Fat Tuesday, masking is legal for everyone else, and the elaborate masks that some wear add to the fun.

How long have “throws” been around?
The tradition of float riders throwing trinkets to the crowds began in the 1870s and continues today. Typical throws include beads, cups, doubloons, and stuffed animals.

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Black Life Texas

How Many Movies Will it Take to Win an Oscar?

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By Devon Mathews

Well, I don’t even know where to begin. Our beloved Black Queen of the screen, Angela Bassett, has been snubbed yet again by the Academy Awards for her role in “Wakanda Forever” at the 2023 Oscars. The “Black Panther” sequel, which celebrated the memory of the late Chadwick Boseman, is a worldwide phenomenon and nothing less than spectacular cinema as one of the top-grossing films of all time.

After being robbed of an Oscar for the iconic role of “Tina Turner” in “What’s Love Got To Do With It,” as well as portraying powerful roles in “Waiting to Exhale,” “Malcolm X,” “The Jackson 5” movie, and “American Horror Story,” Angela Bassett just can’t seem to catch a break for her amazing skill. She has the ability to bring the vitriol, pain, and no-nonsense prowess of the Black woman to the screen. The role of a strong Black woman and actually being one is a task; and no one can do it like she can. To dismiss her in her element is a dismissal to Black women everywhere and we should take note. It’s as if her 2023 Best Supporting Actress Oscar nomination as a member of the Marvel Cinematic Universe was “enough for them” since the Academy first looked over her for the role of “Tina Turner” when she was first nominated in 1993. 

Her ill-fated loss succumbed to Jamie Lee Curtis for “Everything, Everywhere, All at Once.” Breaking cultural barriers of their own within the Asian community, this film went on to be considered a contender for best of everything since it first premiered at SxSW 2022. And although I’m happy to see Asian actors and creators such as Ke Huy Quan and Michelle Yeoh win, I’m a bit on the fence about scream queen Jamie Lee Curtis. 

As a professional actor, director, and producer, I pay extra close attention to performances, blocking and editing when watching TV and movies. Many people close to me refuse to watch anything with me because I watch with a different eye. I criticize, I ask questions, and I always look for context to make sure it all makes sense. Let me say this: I am a Jamie Lee Curtis fan and I absolutely love Michelle Yeoh. “Memoirs of a Geisha” is one of my favorite movies. And Yeoh’s ability to captivate audiences over the years has been remarkable. But so has Angela Bassett.

Instagram and Black Twitter alike are still fuming over the loss as well as all the articles and Tik Tok’s describing Bassett’s Black womanhood and hurt human reaction to Curtis’ initial win. She has been called a “petulant child,” yet no one focuses on how she stood and applauded Jamie after her speech. 

This is why it’s important that we make our voices heard. The Oscars throw rocks and hide their hands. Black women and Black artists should never have to minimize our power to make anyone comfortable in anything. And like Angela, I vow to present with that same fire when I break into Hollywood one day. Oscars still “So White … much?

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Black Life Texas

Legacy of Black Comedians

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hen you bring together four legendary comedians, their friends who are also comics, and some of their most loyal fans, you get a room filled with unbridled laughter and, surprisingly, a few tears. That is what Lexus UPTOWN Honors Hollywood award ceremony attendees experienced Wednesday night at the Sunset Room Hollywood.

The luxury car brand and the culture publication honored Cedric the Entertainer, Kym Whitley, Deon Cole, and Guy Torry for their contributions to American culture, arts, and entertainment. The event coincides with the 50th anniversary of hip hop, as Guy Torry’s iconic documentary Phat Tuesdays: The Era of Hip Hop Comedy explores the intersection of the music genre and Black comedy during a significant time in the 1990s.

“I want to thank Lexus for honoring Black comedians,” Guy Torry said during his funny and sometimes emotional acceptance speech. The “Phat Tuesdays” creator also thanked his older brother, comedian Joe Torry, for paving a path to success for him.

Anthony Anderson was on hand to present Cedric the Entertainer his award. “The Neighborhood” actor/comedian kept the crowd in stitches while paying homage to the comics he idolized, like Richard Pryor, Redd Fox, and Eddie Murphy.

Whitley, the only woman honored, expressed her gratitude through laughter and tears. She told the audience that after 35 years in the business, this is the first time she has been recognized or honored.
Honoree Deon Cole shared how he and his fellow comedians felt about being recognized for their hard work. “This means something to us. We’re excited to be here because we’re probably not going to get this again.”

Actor, comedian, writer, and producer Chris Spencer and award-winning media personality Tai Beauchamp hosted the event. Presenters included Bill Bellamy and Affion Crockett. Other notable attendees were Len Burnett, co-founder and CEO of Uptown Media Ventures, Richard Brooks, Lil Rel Howery, Mona Scott-Young, Salli Richardson-Whitfield, Dondre Whitfield, and more.

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Black Life Texas

Chris Rock Breaks Silence with Netflix Special

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Rock the bells or should I say clap back on Will and Jada Pinkett-Smith? The internet is in a tumble as everyone has begun weighing in on Chris Rock’s new Netflix special, “Selective Outrage,” which aired on March 4, 2023. The comedic special, now in Netflix’s US Top 10, has Rock opening up about the night actor Will Smith went on stage and slapped him during the 2022 Oscar’s live broadcast. It was the slap heard around the world as many veterans in Black Hollywood (such as Tyler Perry and Denzel Washington) came to the emotional aid of Smith, who seemed to have a meltdown in response to Chris Rock’s joke about his wife’s bald head.

Will Smith was immediately in the crosshairs of a debate that forced people on either side of “was he right” or “was he wrong”? As African Americans, many of us grew up with our mothers and elders looking us dead in our eyes and saying, “keep your hands to yourself.” That was the lifelong cultural warning to not go around touching other people or their things, starting fights, and most definitely hitting someone unless it’s in self-defense. In this case and on the flip side of things, we were also told that “if someone hits you, hit them back!” Our good friend Chris Rock decided that he wasn’t going to retaliate physically and set himself up for the ultimate revenge… tan do the tune of $40 million.

As most celebrities with something major to share such as baby reveals and casting announcements, this is one hot topic that he bided his time over until the right opportunity came. Enter Netflix to the chat.

Social Media is reacting to the stand-up and with a good amount of controversy. Rock goes in on various subjects including his children, gender identifications, abortion, Meghan Markle, the Kardashian’s, and, of course, his infamous slap.

Yes, it’s great to hear what he has to say but some of his off-color comments have landed him in even more hot water than before. “Going on Oprah, ‘I didn’t know, I had no idea how racist they were,'” Rock said, referring to Meghan Markle’s 2021 interview with Oprah Winfrey. “It’s the royal family! You didn’t Google these motherf—–? What the f— is she talking about, she didn’t know. It’s the royal family! They’re the original racists!” 

Ummm, Chris, you could’ve kept that one. Don’t come for our original Black Princess! I’m sure they are having a royal fit in Buckingham Palace.

He then goes on to say, “The thing I have a problem with is the selective outrage. You know what I’m talking about. One person does something, they get canceled. Somebody else does the exact same thing, nothing. You know what I’m talking about… the kind of people who play Michael Jackson songs but won’t play R. Kelly. Same crime, one of them just has better songs.” 

Can you say cringe?

Head on over to Netflix to watch Selective Outrage and let me know your thoughts.

devon@blacklifetexas.com

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