Entertainment
Music & the Movement

TV ONE CELEBRATES THE GALVANIZING POWER OF BLACK MUSIC IN NEW DOCUMENTARY SPECIAL UNSUNG PRESENTS: MUSIC & THE MOVEMENT ON MONDAY, JANUARY 18, 2021 AT 8 P.M. ET/7C
TWO-PART DOCUMENTARY, PREMIERING ON MARTIN LUTHER KING JR. DAY, REFLECTS ON THE MUSIC RELEASED BY CHANGEMAKERS SUCH AS ARETHA FRANKLIN, PUBLIC ENEMY, STEVIE WONDER, GIL SCOTT-HERON, AND BEYONCÉ, WITH REMARKS BY ERICA CAMPBELL, BIG GIPP, RAHEEM DEVAUGHN, ISAAC HAYES III, REV. AL SHARPTON, AND MORE
SILVER SPRING, MD) – December 21, 2020 – TV One has announced the premiere date of its two-part documentary special UNSUNG PRESENTS: MUSIC & THE MOVEMENT –remembering the artists and songs that have provided the soundtrack to the fight for justice and equality – airing part one on Monday, January 18, 2021, at 8 P.M. ET/7C immediately followed by part two at 9 P.M. ET/8C. On hand to provide commentary about the new musical genre that emerged during pivotal movements in Black Americans tumultuous past and troubling present are Erica Campbell, Big Gipp, Raheem DeVaughn, Rev. Al Sharpton, Isaac Hayes III, Ronda Racha Penrice, Headkrack, Shante Paige, DJ Kemit, Dyana Williams, Angie Ange, Colby Colb, Rickey Vincent, Steve Ivory, Delores Thompson, Dave Washington, Billy Johnson, Jr., Kenny Gamble, P. Frank Williams, Keith Murphy, DJ Yella, Battlecat, Soren Baker, and Felicia “Poetess” Morris.
“Music is the heart and soul of Black culture – giving life to our experiences, voice to our stories and growing power out of our pain,” said Cathy Hughes, Chairwoman, Urban One, Inc. “Every melody, lyric and rhythm artfully depicts the layers of Black diversity, scope of black creativity, and depths of the complexity of our people. TV One’s Music & the Movement special pays homage to the music and music makers whose talents created a soundtrack of Black music during moments of political and social unrest throughout our history. It is another opportunity for us to spotlight Black content.”
“Throughout history, Black music has been a clarion call to amplify the voice of our community and important social and political movements like the Civil Rights and Black Lives Matters Movements,” remarked Robyn Greene Arrington, Vice President of Programming and Production. “After an unprecedented year of social, economic, and political turmoil, we felt MLK Day was a great time to chronicle the ongoing struggles of Black Americans along with those who tirelessly lend their voices to protesting injustice and instigating positive changes for our community and social justice movements.”
The Martin Luther King Jr. Day special incorporates first-hand accounts, interviews with artists and media, coupled with archival footage from memorable speeches, soul-stirring vocal performances, and more. Moments of Black auditory dissent featured in the special spans centuries and includes themes of Negro spirituals, like “Swing Low Sweet Chariot,” which provided both a distraction from the harsh conditions of slavery and communication tools for the enslaved as they plotted their escape to freedom; to soul and funk anthems during the Black Power movement performed by Aretha Franklin (“Respect”) and Curtis Mayfield (“People Get Ready”) demanding an immediate change to the political landscape and that civil rights be upheld; to the heart-wrenching viral music videos by young, contemporary artists – like Keedron Bryant’s captivating single “I Just Want to Live” – creating rallying mixtapes for the current Black Lives Matter movement which, this past summer, saw a melting pot of cultures across the globe who marched in solidarity, to protest police brutality. The two one-hour specials serve as a re-examination of the power that music has had to transform a cultural moment into a movement.
Additionally, UNSUNG PRESENTS: MUSIC & THE MOVEMENT will feature the broadcast debut of the original track “KliKKK KlaKKK” by Sunny Dizzle and the group Steaksawse, recently announced as the winner of Reach Media’s “The Song” contest. Presented in partnership with Kevin Liles and 300 Entertainment, the contest was designed to provide an opportunity for an independent artist to create music that reflects the current climate, elevates the collective consciousness, and promotes hope and change. The single will have its global release on Friday, January 15, 2020 and will be featured across Reach Media radio stations.
UNSUNG PRESENTS: MUSIC & THE MOVEMENT is executive produced by A. Smith & Co. Productions’ Arthur Smith and Frank Sinton with Executive Producers Mark Rowland and Co-Executive Producer Kysha Mounia and Co-Executive Producer P. Frank Williams. For TV One, Jason Ryan is Executive Producer in Charge of Production, Donyell Kennedy-McCullough is Senior Director of Talent & Casting, and Robyn Greene Arrington is Vice President of Original Programming and Production.
For more information about TV One’s upcoming programming, including original movies, visit the network’s companion website at www.tvone.tv. TV One viewers can also join the conversation by connecting via social media on Twitter, Instagram and Facebook using the hashtags #MUSICANDTHEMOVEMENT and #REPRESENT.
Black Life Texas
How Many Movies Will it Take to Win an Oscar?

By Devon Mathews
Well, I don’t even know where to begin. Our beloved Black Queen of the screen, Angela Bassett, has been snubbed yet again by the Academy Awards for her role in “Wakanda Forever” at the 2023 Oscars. The “Black Panther” sequel, which celebrated the memory of the late Chadwick Boseman, is a worldwide phenomenon and nothing less than spectacular cinema as one of the top-grossing films of all time.
After being robbed of an Oscar for the iconic role of “Tina Turner” in “What’s Love Got To Do With It,” as well as portraying powerful roles in “Waiting to Exhale,” “Malcolm X,” “The Jackson 5” movie, and “American Horror Story,” Angela Bassett just can’t seem to catch a break for her amazing skill. She has the ability to bring the vitriol, pain, and no-nonsense prowess of the Black woman to the screen. The role of a strong Black woman and actually being one is a task; and no one can do it like she can. To dismiss her in her element is a dismissal to Black women everywhere and we should take note. It’s as if her 2023 Best Supporting Actress Oscar nomination as a member of the Marvel Cinematic Universe was “enough for them” since the Academy first looked over her for the role of “Tina Turner” when she was first nominated in 1993.
Her ill-fated loss succumbed to Jamie Lee Curtis for “Everything, Everywhere, All at Once.” Breaking cultural barriers of their own within the Asian community, this film went on to be considered a contender for best of everything since it first premiered at SxSW 2022. And although I’m happy to see Asian actors and creators such as Ke Huy Quan and Michelle Yeoh win, I’m a bit on the fence about scream queen Jamie Lee Curtis.
As a professional actor, director, and producer, I pay extra close attention to performances, blocking and editing when watching TV and movies. Many people close to me refuse to watch anything with me because I watch with a different eye. I criticize, I ask questions, and I always look for context to make sure it all makes sense. Let me say this: I am a Jamie Lee Curtis fan and I absolutely love Michelle Yeoh. “Memoirs of a Geisha” is one of my favorite movies. And Yeoh’s ability to captivate audiences over the years has been remarkable. But so has Angela Bassett.
Instagram and Black Twitter alike are still fuming over the loss as well as all the articles and Tik Tok’s describing Bassett’s Black womanhood and hurt human reaction to Curtis’ initial win. She has been called a “petulant child,” yet no one focuses on how she stood and applauded Jamie after her speech.
This is why it’s important that we make our voices heard. The Oscars throw rocks and hide their hands. Black women and Black artists should never have to minimize our power to make anyone comfortable in anything. And like Angela, I vow to present with that same fire when I break into Hollywood one day. Oscars still “So White … much?
Black Life Texas
Legacy of Black Comedians



hen you bring together four legendary comedians, their friends who are also comics, and some of their most loyal fans, you get a room filled with unbridled laughter and, surprisingly, a few tears. That is what Lexus UPTOWN Honors Hollywood award ceremony attendees experienced Wednesday night at the Sunset Room Hollywood.

The luxury car brand and the culture publication honored Cedric the Entertainer, Kym Whitley, Deon Cole, and Guy Torry for their contributions to American culture, arts, and entertainment. The event coincides with the 50th anniversary of hip hop, as Guy Torry’s iconic documentary “Phat Tuesdays: The Era of Hip Hop Comedy” explores the intersection of the music genre and Black comedy during a significant time in the 1990s.
“I want to thank Lexus for honoring Black comedians,” Guy Torry said during his funny and sometimes emotional acceptance speech. The “Phat Tuesdays” creator also thanked his older brother, comedian Joe Torry, for paving a path to success for him.
Anthony Anderson was on hand to present Cedric the Entertainer his award. “The Neighborhood” actor/comedian kept the crowd in stitches while paying homage to the comics he idolized, like Richard Pryor, Redd Fox, and Eddie Murphy.
Whitley, the only woman honored, expressed her gratitude through laughter and tears. She told the audience that after 35 years in the business, this is the first time she has been recognized or honored.
Honoree Deon Cole shared how he and his fellow comedians felt about being recognized for their hard work. “This means something to us. We’re excited to be here because we’re probably not going to get this again.”
Actor, comedian, writer, and producer Chris Spencer and award-winning media personality Tai Beauchamp hosted the event. Presenters included Bill Bellamy and Affion Crockett. Other notable attendees were Len Burnett, co-founder and CEO of Uptown Media Ventures, Richard Brooks, Lil Rel Howery, Mona Scott-Young, Salli Richardson-Whitfield, Dondre Whitfield, and more.
Black Life Texas
Chris Rock Breaks Silence with Netflix Special

Rock the bells or should I say clap back on Will and Jada Pinkett-Smith? The internet is in a tumble as everyone has begun weighing in on Chris Rock’s new Netflix special, “Selective Outrage,” which aired on March 4, 2023. The comedic special, now in Netflix’s US Top 10, has Rock opening up about the night actor Will Smith went on stage and slapped him during the 2022 Oscar’s live broadcast. It was the slap heard around the world as many veterans in Black Hollywood (such as Tyler Perry and Denzel Washington) came to the emotional aid of Smith, who seemed to have a meltdown in response to Chris Rock’s joke about his wife’s bald head.
Will Smith was immediately in the crosshairs of a debate that forced people on either side of “was he right” or “was he wrong”? As African Americans, many of us grew up with our mothers and elders looking us dead in our eyes and saying, “keep your hands to yourself.” That was the lifelong cultural warning to not go around touching other people or their things, starting fights, and most definitely hitting someone unless it’s in self-defense. In this case and on the flip side of things, we were also told that “if someone hits you, hit them back!” Our good friend Chris Rock decided that he wasn’t going to retaliate physically and set himself up for the ultimate revenge… tan do the tune of $40 million.
As most celebrities with something major to share such as baby reveals and casting announcements, this is one hot topic that he bided his time over until the right opportunity came. Enter Netflix to the chat.
Social Media is reacting to the stand-up and with a good amount of controversy. Rock goes in on various subjects including his children, gender identifications, abortion, Meghan Markle, the Kardashian’s, and, of course, his infamous slap.
Yes, it’s great to hear what he has to say but some of his off-color comments have landed him in even more hot water than before. “Going on Oprah, ‘I didn’t know, I had no idea how racist they were,'” Rock said, referring to Meghan Markle’s 2021 interview with Oprah Winfrey. “It’s the royal family! You didn’t Google these motherf—–? What the f— is she talking about, she didn’t know. It’s the royal family! They’re the original racists!”
Ummm, Chris, you could’ve kept that one. Don’t come for our original Black Princess! I’m sure they are having a royal fit in Buckingham Palace.
He then goes on to say, “The thing I have a problem with is the selective outrage. You know what I’m talking about. One person does something, they get canceled. Somebody else does the exact same thing, nothing. You know what I’m talking about… the kind of people who play Michael Jackson songs but won’t play R. Kelly. Same crime, one of them just has better songs.”
Can you say cringe?
Head on over to Netflix to watch Selective Outrage and let me know your thoughts.
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