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New York Public Library Acquires Personal Archive of Harry Belafonte

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The New York Public Library‘s Schomburg Center for Research in Black Culture has announced that it has acquired the personal archive of civil rights activist, entertainer, and producer Harry Belafonte.

Acquired with support from the Andrew W. MellonFord, and Open Society foundations, Danny and Manizeh Rimer, and the New York State Black, Puerto Rican, Hispanic and Asian Legislative Caucus, the collection includes four hundred linear feet of audiovisual materials, personal and professional papers, television scripts, and photo albums chronicling the entertainer’s life, activism, and career, from 1949 to the present. Highlights of the collection include Belafonte’s first recording, a 1949 acetate pressing that contains “Lean On Me”; scrapbooks of his press coverage from the 1940s, including performances in the Schomburg Center’s American Negro Theatre; papers and notes documenting his efforts in support of the civil rights movement and Martin Luther King, Jr., including the 1963 March on Washington; scripts of movies produced by and starring Belafonte; and cue cards with the lyrics of “We Are the World,” the signature celebrity charity effort of the 1980s, which Belafonte inspired and produced. Processing of the collection will be expedited, and items will be available to researchers in approximately fifteen months.

Belafonte has a longtime connection to the Schomburg Center and the New York Public Library, which in 2017 named its 115th Street branch after him.

“It is with great honor that I can announce Harry Belafonte’s return home to Harlem,” said Schomburg Center director Kevin Young. “This collection testifies to Belafonte’s unprecedented, over seventy-year public journey across black life and American life as a whole, starting with his time in the American Negro Theatre, which began in the basement of the Schomburg Center….Belafonte’s range is on view in this previously unseen material, from musician to movie producer, actor, to activist. His massive collection of clippings, music, and letters provides a great source to educate people of all ages about the importance of black life and its cultural contributions to American history — from the U.S. civil rights movement, the global human rights struggle, popular music, the history of African-American theater, television, and cinema, and American entertainment. As the New York Public Library celebrates its one hundred and twenty-fifth anniversary and the Schomburg Center marks its ninety-fifth, the addition of Belafonte’s materials will help to continue the enrichment and education of the community for generations to come.”

“The Schomburg library in Harlem is one of the greatest gifts our city has bestowed on our community,” said Belafonte, who recently celebrated his ninety-third birthday. “It is deeply moving that this destination so critical to my life and well-being, from the days of my youth until now, should be the repository for much of my life’s work. I am honored.”

Schomburg Center Acquires American Icon Harry Belafonte’s Extensive Personal Archive.” New York Public Library Press Release 03/13/2020.

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Black Life Texas

How Many Movies Will it Take to Win an Oscar?

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By Devon Mathews

Well, I don’t even know where to begin. Our beloved Black Queen of the screen, Angela Bassett, has been snubbed yet again by the Academy Awards for her role in “Wakanda Forever” at the 2023 Oscars. The “Black Panther” sequel, which celebrated the memory of the late Chadwick Boseman, is a worldwide phenomenon and nothing less than spectacular cinema as one of the top-grossing films of all time.

After being robbed of an Oscar for the iconic role of “Tina Turner” in “What’s Love Got To Do With It,” as well as portraying powerful roles in “Waiting to Exhale,” “Malcolm X,” “The Jackson 5” movie, and “American Horror Story,” Angela Bassett just can’t seem to catch a break for her amazing skill. She has the ability to bring the vitriol, pain, and no-nonsense prowess of the Black woman to the screen. The role of a strong Black woman and actually being one is a task; and no one can do it like she can. To dismiss her in her element is a dismissal to Black women everywhere and we should take note. It’s as if her 2023 Best Supporting Actress Oscar nomination as a member of the Marvel Cinematic Universe was “enough for them” since the Academy first looked over her for the role of “Tina Turner” when she was first nominated in 1993. 

Her ill-fated loss succumbed to Jamie Lee Curtis for “Everything, Everywhere, All at Once.” Breaking cultural barriers of their own within the Asian community, this film went on to be considered a contender for best of everything since it first premiered at SxSW 2022. And although I’m happy to see Asian actors and creators such as Ke Huy Quan and Michelle Yeoh win, I’m a bit on the fence about scream queen Jamie Lee Curtis. 

As a professional actor, director, and producer, I pay extra close attention to performances, blocking and editing when watching TV and movies. Many people close to me refuse to watch anything with me because I watch with a different eye. I criticize, I ask questions, and I always look for context to make sure it all makes sense. Let me say this: I am a Jamie Lee Curtis fan and I absolutely love Michelle Yeoh. “Memoirs of a Geisha” is one of my favorite movies. And Yeoh’s ability to captivate audiences over the years has been remarkable. But so has Angela Bassett.

Instagram and Black Twitter alike are still fuming over the loss as well as all the articles and Tik Tok’s describing Bassett’s Black womanhood and hurt human reaction to Curtis’ initial win. She has been called a “petulant child,” yet no one focuses on how she stood and applauded Jamie after her speech. 

This is why it’s important that we make our voices heard. The Oscars throw rocks and hide their hands. Black women and Black artists should never have to minimize our power to make anyone comfortable in anything. And like Angela, I vow to present with that same fire when I break into Hollywood one day. Oscars still “So White … much?

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Black Life Texas

Legacy of Black Comedians

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hen you bring together four legendary comedians, their friends who are also comics, and some of their most loyal fans, you get a room filled with unbridled laughter and, surprisingly, a few tears. That is what Lexus UPTOWN Honors Hollywood award ceremony attendees experienced Wednesday night at the Sunset Room Hollywood.

The luxury car brand and the culture publication honored Cedric the Entertainer, Kym Whitley, Deon Cole, and Guy Torry for their contributions to American culture, arts, and entertainment. The event coincides with the 50th anniversary of hip hop, as Guy Torry’s iconic documentary Phat Tuesdays: The Era of Hip Hop Comedy explores the intersection of the music genre and Black comedy during a significant time in the 1990s.

“I want to thank Lexus for honoring Black comedians,” Guy Torry said during his funny and sometimes emotional acceptance speech. The “Phat Tuesdays” creator also thanked his older brother, comedian Joe Torry, for paving a path to success for him.

Anthony Anderson was on hand to present Cedric the Entertainer his award. “The Neighborhood” actor/comedian kept the crowd in stitches while paying homage to the comics he idolized, like Richard Pryor, Redd Fox, and Eddie Murphy.

Whitley, the only woman honored, expressed her gratitude through laughter and tears. She told the audience that after 35 years in the business, this is the first time she has been recognized or honored.
Honoree Deon Cole shared how he and his fellow comedians felt about being recognized for their hard work. “This means something to us. We’re excited to be here because we’re probably not going to get this again.”

Actor, comedian, writer, and producer Chris Spencer and award-winning media personality Tai Beauchamp hosted the event. Presenters included Bill Bellamy and Affion Crockett. Other notable attendees were Len Burnett, co-founder and CEO of Uptown Media Ventures, Richard Brooks, Lil Rel Howery, Mona Scott-Young, Salli Richardson-Whitfield, Dondre Whitfield, and more.

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Black Life Texas

Chris Rock Breaks Silence with Netflix Special

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Rock the bells or should I say clap back on Will and Jada Pinkett-Smith? The internet is in a tumble as everyone has begun weighing in on Chris Rock’s new Netflix special, “Selective Outrage,” which aired on March 4, 2023. The comedic special, now in Netflix’s US Top 10, has Rock opening up about the night actor Will Smith went on stage and slapped him during the 2022 Oscar’s live broadcast. It was the slap heard around the world as many veterans in Black Hollywood (such as Tyler Perry and Denzel Washington) came to the emotional aid of Smith, who seemed to have a meltdown in response to Chris Rock’s joke about his wife’s bald head.

Will Smith was immediately in the crosshairs of a debate that forced people on either side of “was he right” or “was he wrong”? As African Americans, many of us grew up with our mothers and elders looking us dead in our eyes and saying, “keep your hands to yourself.” That was the lifelong cultural warning to not go around touching other people or their things, starting fights, and most definitely hitting someone unless it’s in self-defense. In this case and on the flip side of things, we were also told that “if someone hits you, hit them back!” Our good friend Chris Rock decided that he wasn’t going to retaliate physically and set himself up for the ultimate revenge… tan do the tune of $40 million.

As most celebrities with something major to share such as baby reveals and casting announcements, this is one hot topic that he bided his time over until the right opportunity came. Enter Netflix to the chat.

Social Media is reacting to the stand-up and with a good amount of controversy. Rock goes in on various subjects including his children, gender identifications, abortion, Meghan Markle, the Kardashian’s, and, of course, his infamous slap.

Yes, it’s great to hear what he has to say but some of his off-color comments have landed him in even more hot water than before. “Going on Oprah, ‘I didn’t know, I had no idea how racist they were,'” Rock said, referring to Meghan Markle’s 2021 interview with Oprah Winfrey. “It’s the royal family! You didn’t Google these motherf—–? What the f— is she talking about, she didn’t know. It’s the royal family! They’re the original racists!” 

Ummm, Chris, you could’ve kept that one. Don’t come for our original Black Princess! I’m sure they are having a royal fit in Buckingham Palace.

He then goes on to say, “The thing I have a problem with is the selective outrage. You know what I’m talking about. One person does something, they get canceled. Somebody else does the exact same thing, nothing. You know what I’m talking about… the kind of people who play Michael Jackson songs but won’t play R. Kelly. Same crime, one of them just has better songs.” 

Can you say cringe?

Head on over to Netflix to watch Selective Outrage and let me know your thoughts.

devon@blacklifetexas.com

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