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MORE JOIN THE DL HUGHLEY SHOW

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SPRING, MD – May 6, 2019 – Comedian, actor and REACH Media Syndicated Radio host, DL Hughley brings an original brand of comedy and commentary to nighttime television with his new talk show THE DL HUGHLEY SHOW. The series airs Monday through Thursday at 11/10C PM with an encore the following day at 11/10C AM only on TV One. Beginning Monday, May 13, THE DL HUGHLEY SHOW will air at 10 P.M. ET/9C immediately followed by an encore presentation at 11 P.M./10C

Joining DL in the studio this week is actor Michael Ealyon Monday, May 6; actress Meagan Goodon Tuesday, May 7; actress/comedian Kym Whitley on Wednesday, May 8; and “Divorce Court” Judge Lynn Toleron Thursday, May 9. The series dives head first into the hot topics of the day and dishes on the latest news, entertainment, pop culture and what’s trending in social media. Always insightful and informative, Hughley and his co-host Jasmine Sanders use humor to deliver everything from hard news to lighter fare. The nighttime show offers everything from covering the day’s major headlines and roundtable discussions to celebrity guest interviews and comedy bits.

THE DL HUGHLEY SHOW is produced for TV One by Pygmy Wolf Productions with DL Hughley and KP Anderson serving as Executive Producers. Sonya Vaughn and Charlie Gerencer serve as Co-Executive Producers and Jade Mills serves as Executive in Charge of Production. Melanie Massie serves as Talent Producer. For TV One, Susan Henry and Regina Thomas serve as Executive Producers in Charge of Production.

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SABIFF 2019 Festival

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The San Antonio Black International Film Festival (SABIFF) was founded by native indie filmmaker Ada M. Babino, and a group of community filmmakers and community movie enthusiasts who began meeting at the Carver Library in the fall of 2018, with the purpose to create a Black independent film festival in the Alamo City. Birthed from mutual interests, the San Antonio Black International Film Festival was born under the umbrella of Forward Progress Arts and Entertainment Center, Inc., a 501(c)3 arts and entertainment organization founded by DeAnna Brown that “encourages creative dreamers to become authentic artists.” The Carver Library, a staple on the Eastside officially and successfully launched SABIFF on February 23, 2019, with the start of what will be an annual endeavor.

The mission of SABIFF is to expose audiences in San Antonio and beyond to the myriad of narratives and diverse images of Diaspora peoples. The goal is to present a variety of video/filmmakers and film professionals of color to audiences through their film products, genres, panel discussions, lectures, and trainings.

SABIFF 2019 will feature indie film showcases, an international film competition, filmmaking workshops, and enlightening panel discussions, combined with events that allow the public to network and unwind at an inagural film festival that proudly affirms that Black Films Matter. SABIFF partners include respected community institutions and businesses such as: the Carver Community Cultural Center, The Carver Library, DreamVoice the founders of Dream Week SA, The Institute of Texan Cultures, La Villita Arneson River Theater, Idle Time Cinema, Frank Dunn Insurance, and First Unitarian Universalist Church of San Antonio’s Black Lives Matter Work Group, a key fundraising supporter for the festival. “Giving audiences in my hometown the opportunity to experience a wealth of stories, and perspectives by Black filmmakers and professionals from across the globe is invigorating,” says Babino, Festival Founder and Director.

The festival also forged positive alliances with national organizations and film practitioners who have a global love and commitment to the development, promotion and expansion of Black indie film. Participating in SABIFF 2019 are: New York based Black Public Media, now celebrating their 40 year anniversary; AfroLandTV with founder Michael Maponga, internationally renowned Ethiopian filmmaker Haile Gerima, and Shirikiana Gerima, Husband and wife tech media team Maxie and Schatar Collier founders of Super Livestreams a new network of TV channels, Social Cinema curation by filmmaker, Ralph Scott, and Chicago based filmmaker/ visual thinker Floyd Webb, the founder of Black Star Film Festival, and co-editor of the revitalized Black Film Magazine.

Casting our Texas net, we’re proud to present Dr. Gerald Horne, Author/University of Houston Moores Professorship of History and African American Studies faculty, XXX Angela Bennett of Bennett Connection Talent Agency in Austin, Mikaela Gibson (Fear the Walking Dead), and Houston based actor John Henry (American Horror Story, Focus). Charles Murray, veteran Hollywood writer (Marvel’s Luke Cage, Criminal Minds, Sons of Anarchy, Roots) and independent film director will make an appearance at the Carver’s Red Carpet opening night gala and speak after his film screening.

SABIFF 2019 festival line up includes four days of partnerships, venues and events:

October 10 The Carver Community Center 226 N. Hackberry, SA, TX 78202 [$] [6:00 pm – 10:30 pm] CCCC Hosts SABIFF 2019’s Opening Night Film and SA Premiere of the movie #TRUTH with special guest veteran writer/producer/director, Charles Murray.

The Red Carpet Gala is sponsored by DreamVoice, the presenters of DreamWeek and supporter of organizations that exist to better the human condition through the promotion of media assets and resource contributions.

October 11 – (1). Carver Library 3350 E. Commerce Street, SA, TX [12 pm – 3 pm] [NC]
(1). Black Public Media (BPM), formally founded as The National Black Programming Consortium celebrates 40 Years as an organization whose mission is committed to fully realized expression of democracy by supporting, developing, producing and distributing innovative media about the Black experience and investing in content makers. BPM is pleased to present AfroPop to SA audiences. Now in its 10th season, AfroPop short films depict informative and entertaining stories from across the globe that are beautifully and poignantly told. This free event features Food trucks and vendors on site.

October 11 – (2). Institute of Texan Cultures (ITC) 801 E. Cesar E. Chavez Blvd, SA, TX [$] [9:30 am – 5:30 pm] [A Full Day Pass includes Theater In The Round, Panels/Forums, and Museum Exhibits, purchased on SABIFF.com website or Universe.com ticketing platform]
ITC – Three levels of activities will take place at ITC.

*First Level – [Forums and Panels are included in Full Day Pass price[$] “Overcoming isms’, Bad Hair and Other Social Constructs,” short films presented in ITC’s Theater In The Round followed by a Host lead discussions, and audience interactive Talk Back. As an added treat, Black World Cinema with curator & visual thinker, Floyd Webb presents an AfroFuturism showcase featuring Black science fiction flicks. Also on display in the museum is a Black Quilting Exhibit by the African American Quilt Circle of San Antonio, and a Black Fashion Week exhibit, and other ITC museum offerings.

*Basement Level – [Forums and Panels are included in Full Day Pass price] [$] African American Cinematic History, Steeped with Hidden Figures [11:30 am – 12:45 pm] A panel hosted by UTSA College of Education and Human Development’s Department of COEHD and African American Studies. Moderated by Karla Broadus, Senior Lecturer and Director. Panelists include: UTSA Professors/Lecturers, Mario Salas, Dr. Charles Gentry and Dr. Vanessa Kenon.

Think Acting Abroad: A Forum for Underrepresented Actors to Consider Alternatives When the US is not Enuf – [1:30 pm – 2:45 pm]
Hosted by: Mikala Gibson is an award-winning stage and screen actress, published writer and master teaching artist. Featuring Michael Maponga, Actor/Founder of AfroLandTV. Angela Bennett, Talent Agent, Industry Consultant and founder of Bennett Connection Talent Agency in Austin, Texas.

Culture – A Return on Investment in Cinema – [3:15 pm – 4:30 pm]
A panel led by internationally renowned Author/Professor, Dr. Gerald Horne (University of Houston), Author of over 30 books, including: Class Struggle in Hollywood 1930 -1950, and Paul Robeson: the Artist as Revolutionary. Horne and panelist bring context to the business of Hollywood as it relates to culture and Black professionals in the industry; diversity & inclusion – How it Impacts ‘US’ in Movies, What artists’ roles and responsibilities should be; Where do we stand, and where do we go from here in the sphere of movie making?
Features actor: John Henry (Focus, American Horror Story), Filmmakers Haile Gerima and Shirikiana Gerima (Sankofa, Door of No Return, Foot Prints, and Teza)

ITC 2nd Floor Level – Workshops +[Workshops Individually priced] [$]

FILM GAME PLAN [10:00 am – 1:00 pm] [$]
A hands-on workshop for aspiring film directors taught by SA based Producer/Director Michael Jackson owner of Idle Time Cinema, a full service production company founded in 200 that specializes in short films, music videos, commercials and television variety shows. Jackson provides instruction on necessary filmmaking techniques for low budget video/ filmmaking from budgeting tips, to blocking actors, framing shots, lighting and sound recording). Jackson is the director of Solomon’s Dilemma, Cost Effective on Amazon, and the upcoming feature Sabbath Ceremony of the Besat. 3 hours. Lunch provided.

The Art of Cinematic Storytelling Master Class [11:30 am – 2:00 pm] [$]

Taught by Haile Gerima, internationally renowned filmmaker, the original UCLA Black Rebellion filmmaker, and former tenured film professor at Howard University. Gerima gives an integrative and holistic approach to the narrative art form of the visual storyteller. With over fifty years of filmmaking, advocacy and education, Gerima takes participants through the creative processes that are critical in arming the Film Storyteller with the cinematic narrative language.

He utilizes all of these creative processes are a means of discovering one’s own unique Cinematic Narrative Logic, voice and ‘art’ of cinematic storytelling. 2.5 hours. Lunch provided.

SABIFF MIXER at the Cherrity Bar – 302 Montana St. [5:30 pm – 11:00 pm] [NC] Wind-down after a full day of films, panels and workshop exchanges! Film festival participants and the public are welcomed to chill out and enjoy happy hour, network, mingle, purchase vendor treats, and enjoy food and festivities. There will be a soulful a mix of music and spoken word, hosted by SA’s own Andrea ‘Vocab’ Sanderson. This is a family friendly event. Vendors will be on site.

October 12 – (2). Carver Library [10:00 am – 4:00 pm] [NC] (1). Take II with the Black Public Media 40 Year Anniversary continues with more screenings of AfroPop the ultimate cultural exchange. Now in it’s 10th season, this series depicts informative and entertaining stories across the globe. Food Trucks will be outside on site.

*films & times to be posted on websites – coming soon.

October 12 – (1). Buena Vista Theater (UTSA Downtown Campus) [9:00 am – 6:30 pm] [$] Selected films were submitted, and prejudged. Those with winning scores were invited as best to show in SABIFF 2019. Four-month Open Call film submissions primarily included narrative shorts from the U.S., however filmmakers submitted indie films from: Iran, Haiti, Germany, Canada, India, Belgium, and Turkey.

A total of thirty-three out of the fifty-five were selected for competition to screen at the University’s state of the art theater and adjoining screening room, Aula Canaira.

Programmed films are broken down into thematic blocks. Schedules and tickets can be obtained on the http://www.sabiff.com or universe.com website. Tickets can also be purchased day of the event at the UTSA Buena Vista theater’s box office for $10 per block of films which will be programmed and screened simultaneously on two screens. There will be a 15 minute admission between films to clear theater and user patrons for the next block showcased.

For more information about the San Antonio Black Int’l Film Festival (SABIFF) Forward Progress Arts & Entertainment Center, Inc. please visit www.sabiff.com | sabiffteam@gmail.com | fwdprogress2@gmail.com |

ABOUT FORWARD PROGRESS ARTS AND ENTERTAINMENT

FPAE is a 501c3 organization founded in 2013 by actress/educator DeAnna Brown as a vehicle to allow young people the opportunity ot gain exposure to an industry that has historically shun people of color. Forward Progress aims to be a conduit to cultivate the God given gifts and talents of young dreamers who are drawn to the world of arts and entertainment with the desire to grow and develop their craft. Authentic collaboration is encouraged, to teach the behind-the- scenes crafts, and produce professional movies, music, stage plays, videos, television shows and/or web series and our newly founded venture, the SAN ANTONIO BLACK INTERNATIONAL FILM FESTIVAL (SABIFF) .

INTERVIEWS

For interviews with any SABIFF team members, the Founder/Director Ada Babino, co-director Patsy Whitfield, Forward Progress Director, DeAnna Brown, or local filmmakers contact sabiffteam@gmail.com or call Dianne Green at (210)801-2611. Website: https://www.sabiff.com

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The Late Jackie Wilson to Finally Receive a Star on the Hollywood Walk of Fame

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The Presentation of a Star on the Hollywood Walk of Fame and release of a 50-song compilation album, “The Definitive Jackie Wilson,” coincides with the bereavement of Jackie Wilson’s Widow Harlean Harris Wilson

Nationwide — Harlean Harris Wilson, 81, was scheduled to make the acceptance speech at the presentation of a Star on the Hollywood Walk of Fame for her late husband, the legendary Detroit-born singer Jackie Wilson, September 4, 2019 in Hollywood. However, she passed away unexpectedly this past Saturday and in her place their son John Wilson will accepted the award for his father.

peakers and guests set for the ceremony include Berry Gordy, Smokey Robinson, Marshall Thompson of the Chi-Lites, and Jackie’s Goddaughter Jody Watley will be among those attending.

“Though we are deeply saddened that Harlean will not be with us physically to accept Jackie’s star on September 4th, we are certain that she will be there with Jackie in spirit. Harlean Wilson was a beautiful woman inside and out who lived her life with tremendous grace and dignity and was loved by us all,” said Paul Tarnopol of Brunswick Records.

Prior to her unfortunate death, Harlean was involved with a forthcoming authorized biography and a documentary film about Wilson, a two-time Grammy Hall of Fame Inductee, a winner of the Rhythm and Blues Foundation’s special Legacy Tribute Award and Roll Hall of Fame recipient. She was very excited about the release of a 50-track compilation of remastered hits, The Definitive Jackie Wilson, available on Spotify, Apple Music, Pandora, and all other major digital platforms.

Less than two weeks ago, esteemed music journalist Jeff Tamarkin spoke with Harlean about her life, the forthcoming projects and Jackie Wilson’s legacy. Following is her story:
More than 35 years after his death, Jackie Wilson—one of the greatest soul singers of all-time and a second-year inductee into the Rock and Roll Hall of Fame—is getting some overdue recognition, and no one could be more pleased about that than his widow, Harlean Wilson. On September 4, 2019, Jackie—known in the music business as “Mr. Excitement”—will be recognized with a star on Hollywood’s fabled Walk of Fame. For Harlean, the honor is the culmination of decades of tireless work keeping the late entertainer’s name in front of the public—and protecting both his legacy and her own.

“I’m so elated for him, so ecstatic about my husband getting this star,” says Harlean. “That title Mr. Excitement wasn’t just given to him; he worked for it.”

Harlean Harris—her maiden name—was only a teenager in the early 1950s when she first came across the name Jackie Wilson. Born in White Plains, New York, in 1937, she had been serving as the president of the Billy Ward and the Dominoes Fan Club when the rhythm and blues vocal group announced that its lead singer, Clyde McPhatter, was leaving to join the Drifters. Harlean, along with many other fans, was upset by the news that a young unknown named Jackie Wilson would be taking his place.

Then Harlean went to Harlem’s famous Apollo Theater, where she heard Jackie sing. “I had never heard a black entertainer sing on Jackie’s level, at all,” she says. “Nobody had.” At first she remained solely a fan but then one day she received a call from Jackie, who had seen her picture on the cover of Ebony magazine—Harlean was modeling at the time—and remembered her from the fan club. Jackie and Harlean (who had previously dated Sam Cooke and Sammy Davis Jr.) became a couple and several years later, in May 1967, they were married.

By that time Jackie Wilson had long ago launched a solo career and logged hit after hit, both uptempo numbers and ballads, including such timeless smashes as “Lonely Teardrops,” “That’s Why I Love You So,” “Night” and “Baby Workout.” Just months after the wedding, he scored his final Top 10 single, “(Your Love Keeps Lifting Me) Higher and Higher.” In a business that chewed up artists and spit them out, Jackie Wilson’s popularity never flagged—onstage he was a virtual dynamo, as charismatic a performer as any, while in the studio he was capable, says Harlean, of “singing anything.”

Jackie, she adds, owed much of his commercial success in the music business to his dedicated producer at Brunswick Records, Nat Tarnopol, who was also the head of the label and had originally brought Jackie to New York from their shared native city of Detroit. Unlike many other African-American entertainers of the day, Wilson was treated fairly by Brunswick and Tarnopol, says Harlean, but outside of the confines of the company, that wasn’t always so: The singer and his wife were often subjected to painful, vicious rumors and untruths, legal entanglements and other indignities, including women who claimed to be linked with Jackie romantically and, later, both men and women claiming to be his children. One crazy, completely fabricated story that persisted for some time had Jackie being held outside of an upper story of a building upside down by thugs until he agreed to sign a contract.

Reality did hit them hard one evening in 1961 though, when the couple experienced a horrific close call: Jackie had been shot by a woman who was reportedly jealous of his relationship with Harlean. “Jackie had stepped outside of our apartment to get the mail and I heard what sounded like two firecrackers going off,” says Harlean. She went to investigate the noise, and found Jackie grimacing and screaming, “She shot me,” while a woman stood nearby claiming she hadn’t meant to do so. Jackie summoned enough strength to hobble outside the building, where a patrol car happened to be passing by. But rather than take the victim to a hospital, the officers chased down the shooter inside the apartment building. Fortunately, Jackie’s injuries were not fatal, but it took more than a year before he felt ready to resume his career.

Rumors aside, Jackie and Harlean did produce one child together, a son they named John, known as Petie throughout his life. The young boy’s world was shattered irrevocably when, on September 29, 1975, Jackie Wilson suffered a massive heart attack while performing at a nightclub in New Jersey. Jackie, in a coma, was rushed to a nearby hospital, where Harlean (then separated from him) and Petie were denied visitation until they were able to produce paperwork proving that they were his legitimate family.

Jackie Wilson never fully regained his ability to function; he remained in the care of others, his career cut short unexpectedly and permanently. Harlean became his caretaker, simultaneously entering into a never-ending series of legal situations that would linger long past the death of Jackie Wilson on January 21, 1984, nearly a decade after he collapsed onstage. “I was the administrator of the estate because I was his court-appointed guardian,” says Harlean, “and everybody wanted to take the estate from me, with all kinds of excuses. Everybody came out of the woodwork. The whole matter went into federal court when it first happened and it’s still going on. Jackie wasn’t a businessman.”

Despite all of the hardships she has been through, Harlean Wilson retains nothing but admiration for the man she met more than six decades ago. While she is the first to admit that there were difficulties in their marriage—“I have eyes, I could see what was going on,” Harlean says—she remembers Jackie as a man who was “very vibrant, very effervescent, generous to a fault. He loved to sing and he loved life.”

Harlean Wilson has spent a lifetime doing her best to make sure that the world remembers and knows the truth about Jackie Wilson. Now, finally, with the unveiling of his Hollywood star and other high-profile projects soon to be announced, she will have accomplished her goal.

More information at www.JackieWilsonMusic.com

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Gospel SuperFest

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SILVER SPRING, MD (August 13, 2019) – TV One will air THE AFRICAN PRIDE GOSPEL SUPERFEST on SundayAugust 25, 2019 at 7 p.m. ET/6C followed by an encore presentation at 8 p.m./7C. Held at the Schuster Performing Arts Center in Dayton, Ohio, the 19th annual celebration will bring together gospel recording artists and celebrities for one of America’s most anticipated television events in urban gospel. 

Hosted by film and television star Wendy Raquel Robinson, the one-hour telecast will feature a musical celebration honoring Pastor Donnie McClurkin with guest performances by Deitrick Haddon, Sensere, J. Moss, Tye Tribbett, The Shelby 5, Isabel Davis, Micah Stampley, Byron Cage, Demetrius West & JP and many more. 

Don’t miss a memorable evening of performances, uplifting entertainment, and a salute to gospel luminaries and their musical legacies.

THE AFRICAN PRIDE GOSPEL SUPERFEST is produced by Cartwright Entertainment Group with Bobby Cartwright Jr. and Renita A. Cartwright serving as Executive Producers. 

For more information about TV One’s upcoming programming, including original movies, visit the network’s companion website at www.tvone.tv. TV One viewers can also join the conversation by connecting via social media on TwitterInstagram and Facebook (@tvonetv) using the hashtag #GospelSuperfest. Download the TV ONE App to watch your favorite shows and movies.

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